70's Tham Siew Inn   
80's Tham Siew Inn
2000's Tham Siew Inn

Thamís brushstrokes became even more carefree and fluent in the 90ís. Slowly abandoning unnecessary details, transforming complicated ideas into effortless lines, Siew Innís search for new expression has led his evolution of lines into the next level. Using plentiful water and fascinating colors, heís unleashing the full potential of watercolor. After finished his 2nd solo exhibition, Siew Inn incorporated new medium Ė Acrylic into his artworks. Executing his brushstroke with thick layer of acrylics, complementing the translucent watercolor, he moved towards mix media. Meanwhile, Thamís search for new expression has led his evolution of lines into waving forms.

90年代譚氏的畫作,在用筆上更為大膽且純熟。漸漸將多余的寫實元素拋棄,棄繁從簡,將畫意推向更高的層次。這一時期的畫作充分發揮水彩的特色,水分充足飽滿的用筆及鮮艷亮丽的用色,令人嘆服。譚氏于94年舉辦國內第二次個人畫展之后,進而向新的媒介壓克力顏料嘗試。在這期间里,他除了在实验壓克力顏料厚重的画法之外,也開始了對線條的摸索,嘗試將心里的景象,轉換為波動的線條。

 
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