Again drawing his inspiration from the ever changing color play of gemstone opal, with precise control of water flow and accurate colors blending on paper, the piece recreated the seamless color play on paper, created a piece that look like a infinite universe in a small gem stone, bringing infinite inspiration.

A performance on one of the oldest stage in Malaysia, a stage built with collective patron of the oldest temple in South East Asia, the Cheng Hoon Teng Temple, the stage is dedicated to commemorate the birthday of deity Guan Yin (The Goddess of Mercy)